Publications
Sandra Bischler-Hartmann, Of Pencils and Pixels. The Early Years of Computer-Based Graphic Design Teaching at the Basel School of Design (1984–1990). AIS/Design, 2025. [en]
Léonore Conte and Caroll Maréchal, “The Prodigious Decades” (1980s–1990s). From Resistance to Renewal — How French Graphic Design Magazines Framed the Rise of Computing. AIS/Design, 2025. [en]
Julie Blanc. Designing with Abstractions. CSS and Masonry Layouts. dans Bihanic, David, Marin, Philippe (dir.), Design et abstractions, Revue Design Arts Medias, 06/2025.
Sandra Bischler-Hartmann, Vom Swiss Style zur digitalen Wende - Grafik Ausbildung an der Basel School of Design. In Rohde, Theres und Schwer, Thilo (Hrsg.): Zukünfte bilden: Über die Ausbildungsziele des Designstudiums im geteilten Deutschland, Heidelberg: arthistoricum.net, 2026 (Gesellschaft für Designgeschichte. Schriften, Band 9), S. 116–129.
To be published soon :
Julie Blanc. WYSIWYG Legacy in web design. Proceedings of Automatic Type Design 3. Digital Typography Yesterday and Tomorrow.
Léonore Conte et Caroll Maréchal, Des souris bien balancées. Entre technè et phallocratie : iconographie et avatars de la souris informatique dans les années 1980. La petite collection.
Clémence Imbert. Designing with the personal computer. A short critical history of WYSIWYG. Proceedings of Automatic Type Design 3. Digital Typography Yesterday and Tomorrow.
Clémence Imbert. Des souris et des hommes. Vendre la PAO aux graphistes français. Revue Française d’Histoire du Livre.
Clémence Imbert. “1984 : The Macintosh. More than ‘just another tool’”. in Robert Lzicar and Davide Fornari (dir.), The cultural turn in Swiss graphic design.
Clémence Imbert. “Screenplay. Une histoire du graphisme par la trame”. in Kevin Donnot et Elise Gay, Point par point. Trames, images, algorithmes, B42. p. 212-229.
